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Oscars 2010: stars shun fashion faux-pas as Zoe Saldana shines
Nothing to shriek at, or stare at in distrust, or make you double-up with helpless laughter. Or possibly they really got it right, because, for once, the Academy Awards “catwalk” was pretty much an exercise in dressing well for the occasion.
Zoe Saldana obtains my vote for the best-dressed of the night. She wore a stunning gown by young Riccardo Tisci, the inspired director at Givenchy, who was celebrating, after presenting his autumn/winter collection in Paris last night, at about the same time Zoe was receiving dressed in Hollywood.
She wore the stunning, “Natalia” gown, from his summer collection, strapless, chiffon, and shadow-dyed, from palest lilac, on the crystal-strewn bodice, behind to the deep violet of the bouffant hem.
Molly Ringwald wore a Grecian-style one-shouldered purple gown, and Mariah Carey, nearly wore her off-the-shoulder purple. Charlize Theron sparkled in lilac Christian Dior, with a rather curious “bra” detail on the bodice; and Elizabeth Banks in flowing lilac Versace.
The ‘ladies in red’ awards go to Vera Farmiga, in a strapless Marchesa, with a sculpted flow of ruffles; and Penelope Cruz, in a slightly flamenco Donna Karan.
Several required the safety of the BBD – the big black dress – among them, Carey Mulligan, in Prada, and, perhaps, not obviously, Hollywood’s favourite vampire-lover, Kristen Stewart, in Monique L’Huiller.
Maggie Gyllenhaal amazed in a vintage floral, hand-painted with cobalt brush-strokes; once again, red-hot off the catwalk from Van Noten’s show a few days ago in Paris.
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McQueen succeeds posthumous fashion design award
Fashion designer Alexander McQueen, who died last month aged 40, has succeeds a top design award.
McQueen was named one of seven category winners at the Brit Insurance Design Awards 2010 for his newest spring/summer catwalk show.
Paula Reed, judge and style director of Grazia magazine, said the show emphasized the “enormity of his loss”. Other category winners integrated Monterrey Housing, a new model for social housing in Mexico.
McQueen beat other fashion collections, as well as Beth Ditto’s clothing label at Evans, to take the award.
Ms Reed harassed the jury did not give the award to McQueen, who was found dead at his London home on 11 February, for “sentimental reasons”.
She said the video presentation of McQueen’s last show was one of the mainly “compelling” pieces in the awards exhibition at the Design Museum. Amongst the fashion nominees, Alexander McQueen was a clear winner.
McQueen’s winning designs will now struggle for the overall Brit Insurance Design of the Year 2010, to be announced at the ceremony at the Design Museum on 16 March.
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Tough in black at Gareth Pugh intended for Autumn/Winter 2010/11
Gareth Pugh presented a tough, uncompromising silhouette in black, padded leather. Rigid, chevron-striped tunics, were cut in sharp-points, over ridged, bootleg trousers or over-the-knee, wedge-sole boots.
Trench-style and military coats, with trade finish, were high-collared, and tightly-belted. The mood softened, somewhat, when the leather was chevron-striped on georgette, for long and short kaftan-like tunics with triangular hems, or mixed with dark stretch wool.
Faintly softer, but no less witchy-gothic, were black and grey, long, cobweb-crochet cloaks and capes, worn over thin leather jeans.
As a gesture in the way of “party” wear, Pugh delivered a sequence of silver-chain, fringed “cages” over black leather dresses and bootleg trousers. His menswear built-in tight, black leather tunic-jackets or harnesses with floor-sweeping, pleated skirts.
I wonder what Sean P. Diddy Combs, making a front-row comeback after a few seasons “out of the fashion loop”, and here to support his new album Last Train Made to Paris, made of it.
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