Another trend sprouting up at New York Fashion Week is florals, and no one so far has done them better than Carolina Herrera.

With Herrera’s tasteful treatment, though, there was naught ditzy, dated or dowdy on her runway Monday, even if the bold flowers themselves were enthused by botanical plates from the 18th century.

A crisp white blouse — something Herrera herself often wears to obtain her bow and this show was no dissimilar — was paired with a slim single-fold black pencil skirt with a daisy for daytime sophistication. A lotus-embroidered illusion blouse absolutely complemented a dramatic white ballskirt that featured a double Korean bow, her substitute for grosgrain ribbon this season.

The bow was like to the belt worn on traditional martial-arts ghis.

Herrera said, in fact, in her notes: “The cut and details of this collection were enthused by traditional clothes from Korea.”

Some models wore black straw hats conventionally used by male farmers, and many also had their waists cinched by elaborate acetate belts.

The seed-packet motif on some looks unfocused from the beautiful prints and colors, as well as bold, bright lipstick shades of hot pink and red, but the bird-print folded dress with its slim, chic shape was a winner.

A total of 52 models took to the catwalk at the Mercedes-Benz Fashion Week tents, making an impactful, memorable finale.

Herrera’s well-heeled woman of course will have many choices for the new season, as well as the fabulous shoes by Manolo Blahnik done specially to match this collection.